Showing posts with label facial feature. Show all posts
Showing posts with label facial feature. Show all posts

Wednesday, August 27, 2014

Photo Journal: Almost to ArtPrize 2014!

Last week was a bit of a ride. As ArtPrize (a city wide art experience and competition with visitors from around the world in Grand Rapids Michigan) approaches quickly (I'll be leaving for Grand Rapids in less than 30 days!) I have a few more paintings to complete and much prepping for getting 100 paintings over 2000 miles away. 


91 paintings on a single shelf

At the beginning of last week I got out all the paintings from the series I had stored away and stacked the panels at a slant in just one shelf of my bookcase. My plan was to do the first big layout of the paintings and even possibly complete the series. The next day I had planned on completing a painting in the morning and doing to the layout in the afternoon, but strange viruses strike at any moment and this virus struck. 

Underpainting of Whole Piece #92 started the next day.
lively progress
Whole piece #92 was finished the day before the first big layout was to commence.
Still with many breaks I was enjoying painting Whole Piece #92 and by midday the following day I had completed the painting. With most of the series done and dry this was my first chance to see them all together and I was too excited about it to wait until I felt better.  I packed up my paintings and carried them out to the barn. From there the process was slow with many breaks but thanks to my father-in-law who had set up the surface to lay the paintings out on and my husband who helped me in the layout, as I needed to rest a bunch, I got a pretty happy result that helped me make the final decisions for the paintings that need to be added to the series. And thankfully I didn't even kill myself climbing a ladder while dizzy to the barn loft to get a good look at the paintings. 


All 91 dry small paintings are laid out first on three separated boards that are each 4' by 6.'
When the arrangement of the paintings was looking good my husband and father-in-law
scooched the boards together for me.
It was the best light I had seen a grouping of this series in yet. Natural light diffused from
cloud cover coming in through open barn doors.
My view of the series from the barn loft, about 15' up.

The week went on from there and I was too weak to get much done, but I wanted to paint so I completed #93 and started #94 with copious breaks. All in all not too shabby of a week after all. :-)


Evening tea (green tea with almond milk and a bit of honey) after my afternoon tea, and a couple
of cups of morning tea to keep the painting going. Lots of tea was consumed in this exhausted week. 
Whole Piece #93 done after several days working on it for short periods while I was sick.
A detail from Whole Piece #94 in process.

P.S. As of today Whole Piece #94 & #95 are completed and #96 is today's work. This is the final count down. I'm aiming at pushing through to the completion of The Whole Piece Series this week.











Sunday, May 18, 2014

"Whole Piece #64"

"Whole Piece #64"
6" by 6"
Oils on Panel
Blue Toned Surface &
Basic Under-sketch
Cool Skin

When I decided to paint from this reference photo I was in love with the palette of color for the painting I could imagine evolving from the colors in the photo. One aspect of the photo that struck me as an opportunity was the overall cool cast to the light. Since I knew I wanted to play up skin-admiring cool colors I decided to start the painting off with an overall blue toned surface. With blue as the color which the initial layer of paint was up against I was better able to see the warmth in the relatively cool colors I would lay-in on top of the blue to start building skin tone. With a cool blue starting point I was able to find my way to portraying blonde hair with blue-greens in the shadows and a skin surface with muted greens and blues.

First Layer of Painting 
Color Abundance

For the Whole Piece Series I am striving for much variety in palette from painting to painting while maintaining visual cohesion between all the paintings when they are displayed together. A good contrast to this painting's cool palette is in my last post. Look particularly at the relatively cool highlights on the nose in "Whole Piece #36," that color would appear warm on this cheek.

P.S. I want offer a hearty thanks to the Grossmont College student who let me take this picture for reference!